Nordiske Madrigaler

Besætning: 8 sangere, Fredrik Bock, lut og Bo Holten Pris: Efter aftale Varighed: 70

Der er ingen tvivl om, at italienske madrigaler har haft en fremtrædende plads ved det danske hof omkring år 1600. Chr. IV var jo italofil om en hals, så alt italiensk havde hans beundring og kærlighed, og han deltog selv, gennem-musikalsk som han var, i både den sanglige og den instrumentale del af madrigal-virksomheden. Men komponister fra Nordeuropa bidrog i høj grad også til madrigal-repertoiret, som det blev dyrket her i landet. Ved dette projekt helliger vi os de danske, venetiansk uddannede Hans Nielsen og Mogens Pedersøn og tyskerne (også elever af Giovanni Gabrieli) Johann Grabbe og Heinrich Schütz. Hollænderen Sweelinck nåede aldrig til Italien, men bidrog også suverænt til repertoiret af ‘nordiske’ italiensk-sprogede madrigaler.

Book

THE NORTHERN MADRIGAL – MADE IN VENICE

Besætning: 8 sinngers, Fredrik Bock, lute and Bo Holten Pris: Varighed: 70-100 minutes

The madrigal genre flourished in Italy 1520- 1620. Around 11.000 Italian texted madrigals were composed. But the composers were not always Italians. In a few cases, kings and nobi- lity from Northern Europe sent young musical talents to Italy to study. Thus, Johann Grabbe and Heinrich Schütz were sent from Germany, and Hans Nielsen and Mogens Pedersøn

were sent from Denmark– all of them to the most celebrated teacher of the day: Giovan- ni Gabrieli, Maestro of Music in San Marco, Venice. This programme tells in great detail about these several years long visits and the wonderful musical results that came out of these intense studies. With the return of the pupils to their homelands, the proliferation
of the Italian style had profound repercussi- ons in Northern Europe, and the Italian Style became truly international. The Dutchman Jan Pieterszoon Sweelinck, for example, never visited Italy, but managed to emulate the current style elegantly.

8 singers, lutenist Fredrik Bock and Bo Holten